EDSON ZAMPRONHA – PDF
The latest Tweets from Edson Zampronha (@EdsonZampronha). Composer and performer. His works offer a fresh air in the scene of experimental music and. Edson Zampronha is on Facebook. Join Facebook to connect with Edson Zampronha and others you may know. Facebook gives people the power to share and. View the profiles of people named Edson Zampronha. Join Facebook to connect with Edson Zampronha and others you may know. Facebook gives people the.
|Published (Last):||17 July 2018|
|PDF File Size:||13.81 Mb|
|ePub File Size:||19.8 Mb|
|Price:||Free* [*Free Regsitration Required]|
A sound material can zampronhz references to a specific musical context or a specific historical period even a very recent period without being a quotation.
Eventually, a new fusion is sought. This freedom is related to the nature of the musical material to be generated. Different aspects of his compositions reflect these innovations, as the musical notation he uses and the relationship between instruments and electroacoustics   for instance. From Wikipedia, the free encyclopedia. His work is zampronja in many CDs released by different labels and institutions.
And there are places where timbre becomes central to the musical composition 5 min. Similarly, the openness offered to the performer is a way to make chance zwmpronha in particular aspects of the work.
There is a change of meaning in what we listen to. The sounds were carved after being recorded.
En este caso, alternando entre las notas Mi y Re. Besides, specific sequences of these chords may generate a new-functionality producing direccionalities inside the work.
The objects were rubbed using rapid twisting movements over the entire marble surface, and the sounds generated featured particularly rich spectra and morphologies. As of he starts an international agenda.
However, the central axis of this fusion now becomes a spectrum produced by the marble. Three CDs are fully dedicated to his works:. Its division into three parts reproduces the global features of the entire work. Edson Zampronha was born in Rio de Janeiro into a family of musicians.
Some pitches are polarized in the work and are ordered to create a downward scale segment. It is also important to consider the introduction of varying degrees of performance freedom included in the tuba score. Evson music makes an extensive use of rhetoric strategies to create new forms of musical tensions and musical discourses.
It uses a sound that, like the marble in a sculpture, is carved by the musician day after day to take its place in the history of sound. Two piano works by Edson Zampronhs – Analysis and performance suggestions.
Edson Zampronha | Composer
This re-interpretation appears clearly in his use of musical rhetoric resources. Starting with E, the next polar pitches are D, C and Bb. Concerning zsmpronha harmonic language, Zampronha uses non-traditional but intelligible chords comprising many notes from 6 to 18, or even more.
During this period his concept of re-interpretation applied to musical form was first used. His works include pieces for orchestra, symphonic band, electroacoustic music, chamber music, sound installations, interactive zzampronha and music for films. This solo is almost a slow and profound recitative.
In this case, it interchanges notes E and D. Edson Zampronha born June 2, is a Brazilian composer dedicated to contemporary experimental music.
This series is a collection of essays signed by outstanding artists-researches from the most important Brazilian Universities. Through detailed work, each single curve of the sound movement, each tiny detail of its curvature, was placed at a different point on the space to extract all its energy and musicality.
This overall control of pitches is very important to the musical erson of the work. Its third component is a sustained note with repetition features, giving way to repeated notes in the same pitch.
Edson Zampronha Edson Zampronha works with contemporary music, musical semiotics and musical technology. They create tensions and resolutions. His first lessons included musical composition, history of music, theory, harmony, counterpoint and musical analysis, besides piano playing. Its first component is therefore a typical sustained note, while its second is a sustained note with melodic line features. Each section is then divided into three components, with the global features of zampgonha work reproduced within each component.